Brothers & Sisters (5): I Didn’t See That One Coming.

No, I am lying. I totally saw that one coming. And by that one, I mean the whole episode.

First and foremost: Rebecca is not William Walker’s love child. Shocker! At some point some creative director of this show decided that because Dave Annable and Emily VanCamp have chemistry (which has always seemed more friendly than romantic to me) that the characters (who have always believed they share a father) should have a romantic storyline. So one of them had to turn out to not be a Walker, and despite all the speculation, it turned out to be Rebecca. There was just no way it was going to be Justin. (That actually could have been interesting, even if completely devastating for him.) But the plot is ridiculous and gross. Now Rebecca has lied to Justin and told him that the DNA test said William really was her father, so Justin is probably thinking he is some kind of perv for at any point even wondering about any possibilities. (And I am not entirely sure he should not feel that way. Dude, you think she is your sister.) Genetics aside, they believed they are siblings, so I find the whole thing so creeptacular I can barely watch it. My friend Lauren put it best that this particular plot is just a bit too Days. Next thing we know Stefano is going to kidnap Rebecca.

Who would have guessed that Kevin would be able to drain a proposal of all affection and desire? Oh, anyone who has seen one episode of his entirely analytical approach to long-term relationships. I have never been Scotty’s biggest fan, but he gained some respect in my eyes for politely and respectfully turning down what amounted to a business merger invitation. Gay, straight, or otherwise, health insurance is not a reason to get married.

And, the family business is in trouble. You mean, Sarah was right all along? Well, that is something they have never done on this show before.

Sorry, my deep discomfort with the Justin/Rebecca storyline is making me a tad more cynical about this show than it deserves.

The TV Girl

Brothers & Sisters (5): The Afterlife of TV Dads.

At the end of an uninspiring weekend (I really do not function well without a new Friday Night Lights) I tuned in for my weekly dose of hypocritical heavy-handed liberal propaganda, known to the rest of the world as the family drama Brothers & Sisters. I wonder that anyone who has actually seen this show could be surprised by Sally Field’s Emmy speech (“if mothers ran the world there would be no more war”); the overdone sincerity on this show borders on Alan Sorkin territory. But it is a compelling cast, including Rachel Griffiths (and despite the fact that I didn’t take to Six Feet Under, I think she is a talented actress), Ron Rifkin (whom I can’t help but look at and wonder why he isn’t evil yet), and the adorable Sarah Jane Morris (whom married Noel in the last episode of Felicity). Brothers & Sisters is a fairly innocuous way to end my weekend, as long as I remind myself to take everything in context and that political pretensions are not equal to political opinions.

I learned something interesting by tuning in last night. Apparently, after you have played the father to a teenage girl on a (popular or cult) hit TV show the next step in your career is to play a gay man helping another middle-aged man out of the closet. A while ago (maybe last season) Saul (Ron Rifkin)’s old friend Milo came a calling to tell Saul that he was divorcing his long-time wife because he is gay, and that maybe it was time for Saul to admit his own homosexuality as well. I don’t feel that I could view this storyline with the respect the show obviously desired because the actor who plays Milo is Michael Nouri, and to another generation he is that dude from Flashdance, but to me he is Summer’s dad from The O.C. I was unattached to the pathos of the storyline because in my head it seemed so obvious that you would switch teams after being engaged to Julie Cooper. Last night what could have been considered an isolated casting incident turned into a pattern. What name should cross the screen during the opening credits but Enrico Colantoni. My heart skipped a beat to see the wonderful Mr. Keith Mars in my living room again. Upon seeing his name I mentally flipped through the “previously on” scenes to predict where Enrico would be appearing in this intricate web of Walkers. I congratulated myself on a prediction well made when he opened the door of Milo’s apartment for Saul (Milo is in Europe and Evan is staying at his apartment because he just broke up with his boyfriend). There is an apparent love-thang with Saul and Evan, and I hate to admit that I am so attached to a character an actor previously played that I will watch that actor in just about anything, but I am that person, so I am happy to watch Mr. Colantoni in any incarnation. I just doubt my ability to take the plot seriously. Can there really be a lasting relationship between Mr. Mars and Sloane?

What I am taking immensely seriously is the uncontrollably stupid behavior of Kevin (Matthew Rhys). I wasn’t watching this show when he and Scotty (Luke MacFarlane) were together the first time. When I started watching Scotty was already an ex, Kevin was in a secret relationship with Chad (Jason Lewis, and funny enough I had no problem believing he was a gay man), and was about to go on his disastrous set-up with Jason McCallister (Eric Winter). And just like in real life, if you become friends with someone just after they end a relationship, but then they get back together with that person, you never really warm to the former ex. I am just unable to warm to Scotty. And therefore I (unfairly) blame Scotty for Kevin breaking up with Jason while the latter was overseas. It doesn’t help that Jason is so obviously the right guy for Kevin. Kevin is neurotic enough for a dozen people, so I was particularly unimpressed with Scotty’s jealous display two episodes ago. Jason is calm, fair, and forgiving, which is exactly what Kevin needs, and Jason never asked Kevin to change who he is. I have a severe aversion to relationships where one person asks the other to change personality accidents (different from character essentials). Granted, Scotty didn’t ask Kevin to be more fun to impress his friends, but Kevin felt like that was what he had to do for Scotty; not a healthy situation. Jason on the other hand addresses a seriously hurtful issue, allows himself to be angry about it, and then not only forgives his brother, but also provides him with the support he needs. Love is supposed to encourage us to become better people, and based on that criteria Kevin is a total moron for not seeing that Jason is the better man for him.

I am so worked up over Kevin being a freetard that I do not even know how to address the issue that Rob Lowe may be elected president.

The TV Girl